Kavoori, A. (2016). Performativity, Mysticism, Experience: Making sense of Nusrat Fateh Ali Khan’s Qawallis. Global Media Journal, Fall, Vol IX:II, 1-15.
Abstract: This paper is a textual analysis of the media culture (music videos, performances, advertising, visual/ viral culture) around the greatest exponent of the Sufi musical form called “Qawalli,” through the life and work of the Pakistani maestro Nusrat Fateh Ali Khan (1948-1997). Using insights from post-colonial theory, cultural studies, ethno-musicology and identity politics, it develops an argument about personhood and religious performance focused on issues of mysticism and experience within the specific liturgical space of the Qawalli.
Re-making the World: Autoethnographic Interventions
Abstract: This collection of autoethnographic eco-poetry offers a pedagogical vision for environmental education in an age of Climate Change (and its denial). The poems reflect on the author’s efforts at […]
This paper won First Place in the Faculty Paper Awards also known as the Robert L. Stevenson Open Paper Competition. It also won Best Paper in African Journalism Studies Award. Abstract: Drawing […]