Low Residency Master of Fine Arts in Narrative Media Writing

Low Residency Master of Fine
Arts in Narrative Media Writing

Earn your Master of Fine Arts in Narrative Media Writing and write a publishable nonfiction manuscript or a marketable screenplay in two years. There are two tracks offered in our low-residency MFA program: Narrative Nonfiction and Screenwriting.

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Headshot of Forest Dynes, a senior journalism and sociology major.

Profiles of Tenacity: Forest Dynes

Forest Dynes is a fourth year student pursuing a double major in journalism and sociology. Through his involvement as photo editor of The Red & Black, Forest aims to connect […]

Grady Fellowship Profile: Eric Baker

Congratulations to Eric Baker (ABJ ‘90) for being named the recipient of the John Holliman, Jr. Lifetime Achievement Award. Baker will also be inducted into the Grady College Fellowship at […]

Headshots of EMST students and faculty, Sarah Posey, Nova Senkyrik, Professor Matthew Nolte Evans, Katie Sawyer and Taylor Shults.

EMST students, faculty win 2025 BEA Awards

Scripts written by four Entertainment and Media Studies students and Matthew Nolte Evans, assistant professor, earned high recognition at the 2025 Broadcast Education Association (BEA) Festival of Media Arts competition. […]

Grady College faculty member explores the future of dubbing

A new study, conducted by Laurena Bernabo, Grady College assistant professor in the Department of Entertainment and Media Studies, highlights dubbing professionals’ perspectives on the changing role of artificial intelligence […]

Margot Murphy accepts her PR Week Award on stage.

UGA recognized for Outstanding PR Student in the country for second year

For the second year in a row, a University of Georgia public relations student has been named the Outstanding Student in the country by PRWeek, a leading publication in the […]

Profiles of Tenacity: Mary Rushton Massey

Mary Rushton Massey is a fourth year public relations major with a business minor and certificate in personal and organizational leadership. As an active member of the UGA campus community, […]

Hear tell Podcast

Listen to the narrative nonfiction podcast Hear-Tell which features writing from current low-residency MFA students, alumni, faculty and visiting lecturers.

PERSPECTIVES

“I am excited to be a part of a team of alumni, students, and faculty that want to keep talking about true stories and how we tell them.”

Josina Guess

(MFA ’23), about the Hear-Tell podcast

PERSPECTIVES

“This program changed the trajectory of my life, and it can do the same for others.”

Roz Bentley

(MFA ’17), graduate and Nonfiction mentor

PERSPECTIVES

“In each case, the mentors challenged me, forced me to ask questions about my writing that I haven’t thought about, and offered a different perspective based on life experience, based on background, based on their own paths as a writer.”

Matt Pearl

(MFA ’19), national correspondent, E.W. Scripps

PERSPECTIVES

“I get the biggest satisfaction working with the MFA students,” Hand continued. We are here to help create some really cool projects that hopefully will help someone go out into the marketplace or help them get their degrees to help with education.”

Hadji Hand

(ABJ ’98), screenwriting mentor

PERSPECTIVES

“As a filmmaker, I understood structure and the basics, but my mentors helped me elevate my understanding and execution for creating impactful stories. It’s a master class, not a basic class.”

Wendy Eley Jackson

(MFA ’19), founder and executive producer of Auburn Avenue Films

PERSPECTIVES

“I try to teach students sound screenplay structure and then push them to find their own voices within the structure and to come up with something unique and viable.”

Christine Swanson

screenwriting mentor

PERSPECTIVES

“The program exemplifies the difference between good teachers who can identify potential and great teachers who know how to pull that potential out of you for everything it’s worth.”

Brandon Fleming

(MFA ’21), author of “Miseducated: A Memoir”

PERSPECTIVES

“This program is refreshingly different than the typical MFA program. It’s a positive and supportive community where folks really look out for one another and contribute to their peers’ development throughout the program and beyond.”

KaToya Fleming

(MFA ’18), Lead Editor, Lookout Books

PERSPECTIVES

“I had vague ideas of what I would write but it wasn’t until I sat in my first MFA sessions that I realized how high the bar would be set, and how deeply I’d need to embed myself in a compelling story that only I could tell.”

Martin Padgett

(MFA ’18), author of “A Night at the Sweet Gum Head: Drag, Drugs, Disco, and Atlanta’s Gay Revolution”