Low Residency Master of Fine Arts in Narrative Media Writing

Low Residency Master of Fine
Arts in Narrative Media Writing

Earn your Master of Fine Arts in Narrative Media Writing and write a publishable nonfiction manuscript or a marketable screenplay in two years. There are two tracks offered in our low-residency MFA program: Narrative Nonfiction and Screenwriting.

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Grady InternViews: Madison Courter

This is part of a series where we ask Grady College students to describe their internship experience.   Madison Courter is a fourth-year double dawgs digital marketing and emerging media student […]

Knox Gaines Internview Header Image.

Grady InternViews: Knox Gaines

This is part of a series where we ask Grady College students to describe their internship experience.   Knox Gaines is a fourth-year double dawg public relations and advertising student working […]

Grady College faculty member appointed to national COVID-19 committee

Glen Nowak, professor and associate dean for research and graduate studies at Grady College of Journalism and Mass Communication, has been appointed to a National Academies of Sciences, Engineering, and […]

Grady InternViews: Libby Hobbs

This is part of a series where we ask Grady College students to describe their internship experience.   Libby Hobbs is a fourth-year journalism major and reporter with Atlanta Civic Circle […]

Andy Johnston and Dink NeSmith hold certificates won for The Oglethorpe Echo.

Journalism students win statewide awards for work at The Oglethorpe Echo

Grady College journalism students working at The Oglethorpe Echo as part of their capstone coursework earned nine section and individual awards in the Georgia Press Association’s annual Better Newspaper Contest […]

Students stand in front of a display and present their research.

Graduate Certificate in Crisis, Risk, and Disaster Communication approved for Fall 2024

The University of Georgia has been approved to offer a Graduate Certificate in Crisis, Risk, and Disaster Communication (CRDC), a program that will educate students in skills needed for proactive, […]

Hear tell Podcast

Listen to the narrative nonfiction podcast Hear-Tell which features writing from current low-residency MFA students, alumni, faculty and visiting lecturers.

PERSPECTIVES

“I am excited to be a part of a team of alumni, students, and faculty that want to keep talking about true stories and how we tell them.”

Josina Guess

(MFA ’23), about the Hear-Tell podcast

PERSPECTIVES

“This program changed the trajectory of my life, and it can do the same for others.”

Roz Bentley

(MFA ’17), graduate and Nonfiction mentor

PERSPECTIVES

“In each case, the mentors challenged me, forced me to ask questions about my writing that I haven’t thought about, and offered a different perspective based on life experience, based on background, based on their own paths as a writer.”

Matt Pearl

(MFA ’19), national correspondent, E.W. Scripps

PERSPECTIVES

“I get the biggest satisfaction working with the MFA students,” Hand continued. We are here to help create some really cool projects that hopefully will help someone go out into the marketplace or help them get their degrees to help with education.”

Hadji Hand

(ABJ ’98), screenwriting mentor

PERSPECTIVES

“As a filmmaker, I understood structure and the basics, but my mentors helped me elevate my understanding and execution for creating impactful stories. It’s a master class, not a basic class.”

Wendy Eley Jackson

(MFA ’19), founder and executive producer of Auburn Avenue Films

PERSPECTIVES

“I try to teach students sound screenplay structure and then push them to find their own voices within the structure and to come up with something unique and viable.”

Christine Swanson

screenwriting mentor

PERSPECTIVES

“The program exemplifies the difference between good teachers who can identify potential and great teachers who know how to pull that potential out of you for everything it’s worth.”

Brandon Fleming

(MFA ’21), author of “Miseducated: A Memoir”

PERSPECTIVES

“This program is refreshingly different than the typical MFA program. It’s a positive and supportive community where folks really look out for one another and contribute to their peers’ development throughout the program and beyond.”

KaToya Fleming

(MFA ’18), Lead Editor, Lookout Books

PERSPECTIVES

“I had vague ideas of what I would write but it wasn’t until I sat in my first MFA sessions that I realized how high the bar would be set, and how deeply I’d need to embed myself in a compelling story that only I could tell.”

Martin Padgett

(MFA ’18), author of “A Night at the Sweet Gum Head: Drag, Drugs, Disco, and Atlanta’s Gay Revolution”