Low Residency Master of Fine Arts in Narrative Media Writing

Low Residency Master of Fine
Arts in Narrative Media Writing

Earn your Master of Fine Arts in Narrative Media Writing and write a publishable nonfiction manuscript or a marketable screenplay in two years. There are two tracks offered in our low-residency MFA program: Narrative Nonfiction and Screenwriting.

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Photo Gallery

A group of seven people sit at tables, reading and laughing together, each holding scripts. Bottles of water are on the tables, and a large screen is visible behind them. The atmosphere appears lively and collaborative.
A group of people sit in rows of seats in a classroom or lecture hall, listening to a panel of three speakers at the front. Many attendees have laptops, and one person stands beside the panel, speaking.
Four people sit at a table with papers, water bottles, and a laptop in front of them, smiling at the camera in a well-lit room with a blank presentation screen behind them.

The Latest

Read the newest headlines, get updates and discover events happening at Grady.

Headshot of Maureen Clayton and text that reads "Grady Fellowship: Maureen Clayton (ABJ '80, MA '84)

Fellowship Profile: Maureen Clayton (ABJ ’80, MA ’84)

Maureen Clayton (ABJ ’80, MA ’84), a public relations and financial entrepreneur and co-chair of the AdPR Executive Advisory Board, will be inducted into the Grady College Fellowship at Grady […]

Kim Landrum stands in the graphics lab and points to a computer while students in the foreground look on.

Kim Landrum honored with Award for Excellence in Teaching

Kim Landrum, principal instructor in the Department of Advertising and Public Relations, has been named one of two faculty members to receive the University of Georgia Award for Excellence in […]

Emma Gladd is pictured standing up in a classroom to ask a question to a guest speaker.

Profiles of Tenacity: Emma Gladd

Emma Gladd is a third-year Journalism major with a minor in English and Comparative Cultures from Augusta, Georgia, set to graduate in May 2027. Gladd is a contributor for the […]

Fellowship Profile: Tracy Brown (ABJ ’88)

Tracy Brown is chief partnerships Officer at Chicago Public Media with an extensive background in  news media with a plethora of previous editor positions such as managing editor, feature editor, […]

A red banner features three portraits—two women and one man—surrounding text that celebrates Two EMST students and a faculty member winning 2026 BEA Awards. Grady College of Journalism and Mass Communication, University of Georgia.

Two EMST students and faculty member win 2026 BEA Awards 

Two students in Entertainment and Media Studies (EMST) and two projects by Matthew Nolte Evans, an associate professor in EMST, received awards recognition at the 2026 Broadcast Education Association (BEA) Festival of […]

Collage of pictures including a man serving a community meal, Liz Rymarev with and gentleman and fans supporting a basketball player who looks sad.

Liz Rymarev receives Emerging Vision Photojournalist of The Year from NPPA

Lessons learned in college about giving people space to tell their stories have paid big dividends for Liz Rymarev (AB ’24). In two short years, Rymarev has transitioned from a […]

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Hear tell Podcast

Listen to the narrative nonfiction podcast Hear-Tell which features writing from current low-residency MFA students, alumni, faculty and visiting lecturers.

PERSPECTIVES

“I am excited to be a part of a team of alumni, students, and faculty that want to keep talking about true stories and how we tell them.”

Josina Guess

(MFA ’23), about the Hear-Tell podcast

PERSPECTIVES

“This program changed the trajectory of my life, and it can do the same for others.”

Roz Bentley

(MFA ’17), graduate and Nonfiction mentor

PERSPECTIVES

“In each case, the mentors challenged me, forced me to ask questions about my writing that I haven’t thought about, and offered a different perspective based on life experience, based on background, based on their own paths as a writer.”

Matt Pearl

(MFA ’19), national correspondent, E.W. Scripps

PERSPECTIVES

“I get the biggest satisfaction working with the MFA students,” Hand continued. We are here to help create some really cool projects that hopefully will help someone go out into the marketplace or help them get their degrees to help with education.”

Hadji Hand

(ABJ ’98), screenwriting mentor

PERSPECTIVES

“As a filmmaker, I understood structure and the basics, but my mentors helped me elevate my understanding and execution for creating impactful stories. It’s a master class, not a basic class.”

Wendy Eley Jackson

(MFA ’19), founder and executive producer of Auburn Avenue Films

PERSPECTIVES

“I try to teach students sound screenplay structure and then push them to find their own voices within the structure and to come up with something unique and viable.”

Christine Swanson

screenwriting mentor

PERSPECTIVES

“The program exemplifies the difference between good teachers who can identify potential and great teachers who know how to pull that potential out of you for everything it’s worth.”

Brandon Fleming

(MFA ’21), author of “Miseducated: A Memoir”

PERSPECTIVES

“This program is refreshingly different than the typical MFA program. It’s a positive and supportive community where folks really look out for one another and contribute to their peers’ development throughout the program and beyond.”

KaToya Fleming

(MFA ’18), Lead Editor, Lookout Books

PERSPECTIVES

“I had vague ideas of what I would write but it wasn’t until I sat in my first MFA sessions that I realized how high the bar would be set, and how deeply I’d need to embed myself in a compelling story that only I could tell.”

Martin Padgett

(MFA ’18), author of “A Night at the Sweet Gum Head: Drag, Drugs, Disco, and Atlanta’s Gay Revolution”