Entertainment and media studies Archive

Benjamin M. Han, “Netflix Korea and Platform Creativity,” International Journal of Communication 17, 6934-6951. Abstract:  This article examines how creativity is regarded as a significant corporate asset to Netflix’s rise as a […]

Baldwin-White, A., Darville, G., Shira Chess, & Beer, J. (in press) “Social Media and its Influence on Sexual Activity and Perceptions of Sexual Activity Among College Students,” Journal of American College […]

Kate Fortmueller. “‘Picture it, U.S. 2020…’: The Golden Girls and sitcom nostalgia during the pandemic,” in The Golden Age of Television: The Golden Girls Reader. Edited by Taylor Cole Miller and […]

Kate Fortmueller. “Who Cares about Media Industry COVID policies?” In Media Industries in Crisis: What COVID Unmasked. Edited by Vicki Mayer, Miranda Banks, and Noa Lavie. New York: Routledge. Abstract: During […]

Kate Fortmueller has become the section editor for “Film and Cinema: Industry Studies,” Routledge Resources Online: Screen Studies, Sarah Atkinson (general editor). New York: Routledge.

Kate Fortmueller (2022). “Pandemic Soundstage: Policy and Reality in Hollywood’s Return to Work” Essential: Global Film and Television Production During the Pandemic. April 9-11. Tulane University. New Orleans, LA. https://express.adobe.com/page/ZPOFOt9Mwpd9x/ Abstract: […]

ABSTRACT:  According to the Pew Research Center, the Hispanic population in the US reached 62.1 million in 2020, a 23% increase from 2010. This increase is faster than the nation’s […]

Chadha, K. & Andy Kavoori (forthcoming). “Asia’s shifting television landscapes” in Kim. Y (ed.) Media in Asia (Routledge).  This article explores television landscapes in Asia. Exploring both past and emergent […]

ABSTRACT: Long-established telenovela production powerhouses face new opportunities and threats that complicate the differences between their local and global audiences. In addition, new non-Latino-American players, such as Turkey, have been […]

ABSTRACT: Once upon a time, the primetime grids of Latin American countries were populated only by telenovelas, a genre that was watched in over 130 countries around the world. At […]