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Sign this or go home: Concert photography agreements as restrictive image control devices Kyser Lough

Abstract: Photojournalists covering concerts are increasingly being asked to sign photo agreements in exchange for access to the venue. These agreements sometimes include restrictive terms that begin to limit editorial freedoms and copyright ownership of the images, which can be seen as a problematic form of image control. This study is the first to explore […]

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Judging photojournalism: The metajournalistic discourse of judges at the Best of Photojournalism and Pictures of the Year contests Kyser Lough

(Forthcoming) Abstract: This study promotes how discussions during photojournalism award judging can be used as metajournalistic discourse to gain insight about the definition, boundaries and legitimization of the field. Journalism awards signal value, but the deliberation process offers richer insight via the judges’ comments. This study explores that process in two stages through discourse analysis […]

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Patriarchal Pits: The gendered experiences of female concert photographers Kyser Lough

Abstract: While the presence of women in photojournalism is increasing, the way they are treated by their male counterparts remains unbalanced. Drawing from feminist theory and embodiment, this study examines how the gendered experience plays out for women in a particular niche of photojournalism; concert photography. The restricted access of the music scene and the […]

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Cameramen and Congresswomen: How photojournalists framed female candidates in the Year of the Woman Andrea Briscoe and Kyser Lough

Abstract: This paper explores how female politicians were visually depicted in the 2018 midterm elections in the United States. Through a content analysis of published photographs of female candidates from both winning and losing campaigns, this work adds to the body of literature on visual framing in American politics, with a specific focus on women. […]

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